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Album Review: "Facelift" - A Gritty Triumph from Alice in Chains (Full Concert Link)

Updated: Aug 21, 2023

Album cover of "Facelift" by the band Alice in Chains.
Album cover of "Facelift" by the band Alice in Chains.

Released on August 21, 1990, Alice in Chains' debut album "Facelift" emerged as a pivotal force in the grunge movement that would come to define the early '90s Seattle sound. This is one of my all time favorite albums, and helped to form my musical tastes of that time in my life. The album's unique blend of heavy metal, alternative rock, and darkly introspective lyrics marked a turning point in the music landscape, setting the stage for the band's subsequent success and leaving a lasting impact on the grunge genre.

From the very first track, "We Die Young," the album immediately grabs you with its raw intensity and energy. The powerful combination of Jerry Cantrell's aggressive guitar riffs and Layne Staley's haunting vocals sets the tone for an album that delves into themes of addiction, isolation, and the human struggle. "Man in the Box" remains one of the standout tracks, showcasing Staley's remarkable vocal range and the band's ability to seamlessly transition from moody verses to explosive choruses.

"Facelift" isn't just about heavy riffs and dark themes; it's also a testament to Alice in Chains' songwriting prowess. Tracks like "Bleed the Freak" and "Sea of Sorrow" exhibit a deft balance between brooding introspection and cathartic release, drawing listeners into the emotional depths of the music. "Sea of Sorrow's" guitar solo is especially face-melting. The album's diversity is also evident in the acoustic-driven ballad "Love, Hate, Love," a slow-burning masterpiece that demonstrates the band's ability to craft compelling narratives through their lyrics. Again, Layne Staley's lyrics possess a power and style that's impossible to replicate.

The members band Alice in Chains.  Guitarist Jerry Cantrell, Bassist Mike Starr, Singer Layne Staley, Drummer Sean Kinney

One of the album's strengths lies in its production, helmed by Dave Jerden. He managed to capture the raw energy of the band's live performances while maintaining a polished and clear sound that allowed each instrument to shine. The guitar tones are thick and menacing, the rhythm section is tight and dynamic, and Staley's vocals are given the space to convey their full emotional range.

"Facelift" isn't without its flaws, however. Some critics might argue that certain tracks blend into each other sonically, occasionally leading to a lack of distinctiveness on tracks like "Put You Down" or "I Know Something (Bout You)". Yet, this can also be seen as a deliberate stylistic choice that contributes to the overall cohesive atmosphere of the album. Still, I feel you can tell the band was still finding their sound and separating themselves stylistically from their influences like Guns N Roses. "Facelift" was a gritty, raw debut, and set the stage for their next phase on the sophomore release "Dirt".

As a debut, "Facelift" showcases the promise of a band that would go on to shape the grunge movement and leave an indelible mark on rock music. The album's enduring influence is a testament to its timeless appeal, resonating with both the era it emerged from and contemporary listeners alike. "Man In The Box" is still a heavily requested track by all my students. No other band has a sound as unique as Alice In Chains, and it's plain to see that their riff driven sound and intense vocal talent leave a lasting impression on listeners young and old.

Thanks for reading my review of "Facelift", Alice in Chains' debut album. Here is a link to a full live performance of this album from Alice in Chains : Live at the Moore. If you haven't heard it live before, you won't be disappointed.

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